{"id":737,"date":"1993-11-08T07:42:37","date_gmt":"1993-11-08T16:42:37","guid":{"rendered":"https:\/\/theatricaldesign.com\/kadem\/?p=737"},"modified":"2023-01-02T22:07:24","modified_gmt":"2023-01-03T07:07:24","slug":"noises-off","status":"publish","type":"post","link":"https:\/\/theatricaldesign.com\/kadem\/noises-off\/","title":{"rendered":"Noises Off"},"content":{"rendered":"\r\n

Written by Michael Frayn
Directed by Gorden Hedahl
Set by Lana Elton
Costumes by Tara Maginnis
Lighting by Dale Kohlmetz
Technical Director Kade Mendelowitz<\/p>\r\n\r\n\r\n\r\n

November, 1993<\/p>\r\n\r\n

\"Act <\/a>
Act I begins with the realistic 2-story interior facing the audience <\/div> <\/div> <\/div>
\"The <\/a>
The set rotates to reveal the backstage for Act II <\/div> <\/div>
\"Here, <\/a>
Here, the crew is positing with the large set half-way turned. <\/div> <\/div> <\/div> <\/div>
\"The <\/a>
The Act II \u201cbackstage\u201d view. <\/div> <\/div> <\/div>
\"Noises <\/a> <\/div> <\/div>
\"The <\/a>
The cast and director Gorden Hedahl on the set of “Noises Off”. <\/div> <\/div> <\/div> <\/div>
\"Noises <\/a> <\/div>
\"Noises <\/a> <\/div> <\/div>
\"Act <\/a>
Act III (final) occurs, once again, in the realistic interior. <\/div> <\/div> <\/div> <\/div>
\"Noises <\/a> <\/div> <\/div>
\"Noises <\/a> <\/div> <\/div> <\/div>
\"Noises <\/a> <\/div> <\/div>
\"Noises <\/a> <\/div>
\"Noises <\/a> <\/div> <\/div> <\/div>
\"Noises <\/a> <\/div>
\"Noises <\/a> <\/div>
\"Noises <\/a> <\/div> <\/div>
\"Noises <\/a> <\/div> <\/div> <\/div> <\/div>","protected":false},"excerpt":{"rendered":"

Noises Off<\/strong>
\nTechnical Direction by Kade Mendelowitz<\/p>\n","protected":false},"author":1,"featured_media":744,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[37],"tags":[],"class_list":{"0":"post-737","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-technical-director","8":"czr-hentry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/theatricaldesign.com\/kadem\/wp-content\/uploads\/2022\/08\/Noises-Off-10.jpg?fit=1920%2C1221&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6X34X-bT","_links":{"self":[{"href":"https:\/\/theatricaldesign.com\/kadem\/wp-json\/wp\/v2\/posts\/737","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatricaldesign.com\/kadem\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatricaldesign.com\/kadem\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatricaldesign.com\/kadem\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatricaldesign.com\/kadem\/wp-json\/wp\/v2\/comments?post=737"}],"version-history":[{"count":0,"href":"https:\/\/theatricaldesign.com\/kadem\/wp-json\/wp\/v2\/posts\/737\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatricaldesign.com\/kadem\/wp-json\/wp\/v2\/media\/744"}],"wp:attachment":[{"href":"https:\/\/theatricaldesign.com\/kadem\/wp-json\/wp\/v2\/media?parent=737"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatricaldesign.com\/kadem\/wp-json\/wp\/v2\/categories?post=737"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatricaldesign.com\/kadem\/wp-json\/wp\/v2\/tags?post=737"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}